“It is about the mood and style of vampirism, about the terrible seductive pity of it all.” – Roger Ebert

Werner Herzog’s only horror film is as rich with artistry and tragedy as his most grounded, human work.  It is 1850 in the beautiful, perfectly-kept town of Wismar.  Jonathan Harker (Bruno Ganz, Downfall; Wings of Desire) is leaving on a long journey over the Carpathian Mountains to finalize real estate arrangements with a wealthy nobleman.  His wife Lucy (Possession’s Isabelle Adjani) begs him not to go and is troubled by a strong premonition of danger.  Despite her warnings, Jonathan arrives four weeks later at a large, gloomy castle.  Out of the mist appears a pale, wraith-like figure with deep-sunken eyes who identifies himself as Count Dracula (Klaus Kinski).  The events that transpire slowly convince Harker that he is in the presence of a vampire.  Even still, he doesn’t realize the magnitude of danger he, his wife and his town are about to experience.

“Werner Herzog’s 1979 take on Nosferatu is stunning in its own right. Come for the rich atmosphere, and stay for Klaus Kinski’s singular take on the repulsive, beguiling horror legend.” – Alan Zilberman, Washington City Paper

“Not only the most serious but the best of all the Dracula films.” – Bernard Drew, Gannett News Service